The Indigenous Arts Industry remains one of the bright spots in Indigenous Affairs, providing a global profile for Australian Indigenous culture, and supporting jobs and family life in even the most remote Indigenous communities. This industry is, however, under severe threat with almost daily media exposure of outright fraud, misrepresentation of genuine works, mistreatment and exploitation of artists by unethical dealers. With Indigenous art continuing to increase in value, this underbelly of the industry can only grow more active and ruthless.

The Australian government has recently committed to a voluntary code of conduct, better training opportunities, and changes to public funding arrangements as a response to the recommendations of a Senate inquiry into the industry. While these changes are of some value, they are unlikely to curb the current exploitation of the industry. What is needed in addition is the introduction of secure authentication labeling and registration of Indigenous works through arrangements attached to the operation of the legitimate market. The aim of this market reform is to create a clear boundary, easily verifiable to consumers, between authentic and ethically produced works and those emanating from the illicit and unethical sections of the industry. The kernel of such a reform exists and will be outlined in the presentation.